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Showing posts with label framing. Show all posts
Showing posts with label framing. Show all posts

Wednesday, March 2, 2011

Sticky Board FAIL and stitch update

About 9 years ago my daughter started a cross stitch of a unicorn out of a teaching book. She got about half-way through it and gave up so I finished it. I used one of those sticky boards and put it in a frame and hung it in the hallway bathroom since the walls in there are blue. Then I pretty much forgot about it. On the 17th I had to use that bathroom (I usually use the one connected to my bedroom) and noticed the cross stitch on my way out. I realized it was very dirty so I took it down.

Those sticky boards say that the stitching is easily removable so it can be repositioned, even years later. They LIE. When I started gently pulling on the fabric, I realized quickly that the sticky board was coming apart and half of it was stuck to the fabric. When you look at the edge of a sticky board you see a couple layers. The top layer is white (this has the glue on it) and sometimes the bottom layer is also white but without glue, the middle layer is brown like cardboard. The top layer and half the middle were peeling away from the bottom layer and was completely stuck to the back of the fabric.

Luckily this piece was done on Aida with DMC floss, so I didn't have to worry about fading, bleeding or anything and could scrub the fabric itself a bit harder than I would dare do on an evenweave or linen.

I spent 45 minutes or so peeling off as much as I could and took pictures of what was left after that: (I didn't think to take pictures when I started, was too focused on getting it off)


This is what the right side looked like after I peeled as much off as I could.


This is almost the whole piece. That bit of brown on the left side of the picture continues in a straight line for the entire length of the side.

This is a close up of the cardboard fused to the stitching.


Upon seeing this I panicked, remembering that I had placed my niece's birth sampler on a sticky board because a book I had read from a well known stitching author said sticky boards are okay.

She was WRONG.

I thought maybe this only happened because it was hung in the bathroom in an unsealed frame. To be sure I went and got the birth announcement and took it out of the frame. Sure enough the board did the same thing, only not the entire board. Just a small line down either side of the piece and luckily it came off fairly easily. My guess is that it wasn't worse because it hadn't been framed for as long. I was able to get it off fairly easily and the piece now lays flat in my completed drawer until I can afford to have it professionally framed. I would have been devastated if that piece had been ruined. It is a mirabilia done on hand-dyed fabric with beads and crystal treasures.

The unicorn has been soaking in water ever since. I managed to get almost all of it off, but there are a few spots of white that just will not come off and does show through when I hold the fabric up. These spots are mostly not on the areas that are stitched.

I will not use sticky boards again because they fuse to the fabric fairly quickly.

In better news, a stitching update!

Here is an update of where I was on Quaker Welcome as of Feb 9, 2011.

Saturday, February 20, 2010

More Stitching and Framing!

Back in 2007 I completed Ellen Maurer-Stroh's Raccoon Baby as a present for my step-daughter Rachel. I intended to give it to her when I had enough money to get it framed. Well one thing after another occurred and I forgot about it. Well this year was her 21st birthday and I moved my completed stitching from a drawer in my DH's dresser (where someone had spilled something and it landed in that drawer so I had to rewash and press all the pieces in there) to a dresser in the TV room where they'd be safer. While doing this moving I rediscovered the finished raccoon and decided that the time had come to get it framed. I washed it to remove the stain from the fabric (it looked like coffee, and luckily it came out easily). Rachel's friends call her "Rachie Raccoon" and she loves raccoons. When she saw the baby raccoon design she wanted me to stitch it. She chose the hand dyed fabric from Silkweaver that it was stitched on. I stitched it with the reccomended DMC cotton floss.

I called Michael's and spoke to the lady in the framing department. She told me that the piece would be carefully pressed and properly mounted (stretched and laced) so I sent my daughter Sam to the store with the piece. She chose the frame and mat colors that I told her I wanted. I was NOT pleased with the results when we got it back the first time. I forgot to get a picture of it so I can only describe it. They did not press it so it came back all wrinkled. There was a very deep wrinkle right accross the baby's face and many wrinkles in the fabric around the stitching and further wrinkles within the stitching itself. Also the fabric was pressing through the circle cut into the mats, almost as if batting had been placed behind it and there were wrinkles between the fabric and the cut-out in the mat. I called Michael's to complain. The lady I spoke with said they would reframe it and give me a full refund of the hundred dollars (and this was 55% percent off regular price) I had paid. My DH returned the piece to Michael's.

Turns out there are two people at my local Michael's who do framing. A woman and a man. It was the man who framed my piece. When I spoke to him he was very arrogant with me and said that the piece was not framed incorrectly, that the wrinkles were caused by the various shading of the background fabric and were a trick of the lighting and eyes. He spoke to me as if he believed me to be stupid and uninformed about stitching itself and all aspects of proper framing techniques. He went on and on about how he has been framing artwork for over 10 years, has never had a piece returned before and blah blah blah. His superior attitude really ticked me off but I held my temper well. I asked him if he had pressed the piece. (I had not pressed it before giving it to them figuring it would be better for the piece if it wasn't pressed twice [once by me then again by them in the same day] as I had been told by the lady framer that the piece would be carefully pressed before mounting it. He proceeded to lecture me about how needlework should never be pressed and how he refuses to press any needlework he is asked to frame. I asked him for a logical explanation as to why cotton floss and cotton based material can not be pressed and he told me it was unsafe and a good stitcher doesn't wrinkle their fabric in the first place. He went on to say that a good stitcher's stitches always lay flat without any bumps/lumps in the stitches themselves and said my stitching was uneven, contained lumps and bumps and it was my incorrect stitching that was at fault. That's when I told him he needed to take a course in framing needlework properly because the first step is to press the work and remove wrinkles thus providing the framer with a neat, wrinkle-free piece to work with. He went on to tell me that the lady framer presses needlework and blah blah blah. He also chose to argue with me that lacing (which I had to explain to him since he didn't even know what it was) is not preferable to pinning (which is what he did) on a needlework piece. I was not happy at all. So instead of a carefully pressed, stretched, and laced piece for framing I got a stretched and pinned piece and thanks to their incompetence the present is 2 weeks late.

They re-did the framing job and the worst of the wrinkles are gone but I haven't gotten my refund because the employee says they can't give a refund on the evening shift. I will probably never get the refund as I find it very difficult to go to stores now, which is why my DH, daughter, or brother run the majority of the errands. Most errands are run in the evenings due to work schedules and availability of the cars. Anyway, here is a picture of the Raccoon Baby framed.





I love the mats and frame that Sam picked out for this piece, the mats and frame compliment the stitching very well. I will be giving it to Rachel on Tuesday. I hope she likes it!

Due to my experience with their framing department and framing employees this is the first and only piece I will ever give to Michael's for framing. They charge a lot of money, don't do it right, then blame the stitcher rather than their own incompetence when the customer is not satisfied.

I have been stitching for roughly 14 years. I am a careful, neat stitcher and never leave knots or tangles on the back that would cause lumps or wrinkles on the front. If my stitches are not coming out evenly, I remove them and re-stitch them. I was very offended by the attitude this man took with me and gave him a small lecture. I started out by telling him how long I have been stitching and where I learned my information about framing (some of it from people who work in museums and specialize in preservation of textiles in a museum). Even my first piece of stitching had even, non-lumpy stitches in it because I took the directions to heart. Those directions talked about not leaving knots or tangles on the back, how to stitch with even tension and all that beginner stuff. Here is a pic of my first ever completed cross-stitch. I know it isn't perfect, but I also know it was done extremely well for a newbie.




Ok enough complaining about bad framers and on to better things!
I've continued stitching Christmas Dreams by Joan Elliott and have some more progress on it. The hat is almost done. I am really enjoying stitching this piece!


And here is a close-up of the stitching.


It feels wonderful to be enjoying my stitching again. Feeling the need to stitch again also feels wonderful. Hopefully I will finish the hat tonight. I'm looking forward to showing off my first finish of 2010!

Thank you all for stopping by.